DUSTIN SHULER

Born: 1948, Pittsburgh, PA
Residence: Inglewood, CA
Education: 1967-70 Attended classes at the Carnegie Institute of Technology, Pittsburgh, PA

SELECTED SOLO EXHIBITIONS

2000
Patricia Correia Gallery, Bergamot Center Arts Station, Santa Monica, CA
Santa Barbara Contemporary Arts Forum, Santa Barbara, CA

1988
de Saisset Museum, Santa Clara, CA
Shoshana Wayne Gallery, Santa Monica, CA

1986
Gallery of Art, Eastern Washington University, Cheney, WA

1985
Cypress College Fine Arts Gallery, Cypress, CA

1983
Quint Gallery, San Diego, CA
Laguna Beach Museum of Art, Laguna Beach, CA
Natural History Museum, Balboa Park, San Diego, CA

1982
American Gallery, Los Angeles, CA

1981
California State University, Fullerton, CA

1980
Orange County Center for Contemporary Art, Santa Ana, CA

1979
Santa Ana College Art Gallery, Santa Ana, CA

1977
Guggenheim Gallery, Chapman College, Orange, CA

SELECTED GROUP EXHIBITIONS

2000
"A Collaboration", Patricia Correia Gallery, Bergamot Station Arts Center, Santa Monica, CA

1998
"Vehicles Transcending the Millennium", Gallery 825, Los Angeles, CA

1997-99
"Elusive Paradise", An installation designed and curated by John Otterbridge, The Geffen Contemporary at MOCA, Los Angeles, CA

1997
"Through the Looking Glass", Cypress College Fine Arts Gallery, Cypress, CA

1996
"California Index 17", Merging One Gallery, Santa Monica, CA
"Facing the Dragon", Artopia Gallery, Hollywood, CA

1992
"Hot August Nights", Nevada Museum of Art, Reno, NV
"L.A. Drives Me Wild", Sherry Frumkin Gallery, Santa Monica, CA

1991
"Status of Sculpture" Lowen Palace, Berlin, Germany
"Status of Sculpture", Kunstmuseum, Hasselt, Belgium

1990
"Status of Sculpture", Institute of Contemporary Art, London, England
"Status of Sculpture", Musee St. Pierre, Art Contemporain, Lyon, France

1989
"A Model Society", Irvine Fine Arts Center, Irvine, CA
"1st Summer Group Show", LJ Gallery, Newport Beach, CA
"The Road Show", John Michael Kohler Arts Center, Sheboygan, WI
"The Traveling Show, Art Influenced by Transportation", Muckenthaler Cultural Center, Fullerton, CA
"On Site", California State University, San Bernadino, CA

1987
"Endangered Species", Alternative Museum, New York, NY
"The Thoughts of Youth are Long, Long Thoughts", University of Southern California Atelier Gallery.

1985
"San Pedro Artists, Part Two", Palls Verde's Art Center, Rancho Palos Verdes, CA
"Cowboys, Cadillacs and Computers", Lawndale Annex, University of Houston, TX

1984
"Art and Travel", San Francisco International Airport Exhibition Gallery, CA
"Crime and Punishment", Triton Museum of Art, Santa Clara, CA
"A Broad Spectrum: Contemporary Los Angeles Painters and Sculptors '84", Design Center of Los Angeles, CA

1983
"Irvine Collects", Irvine Cultural Center Gallery, Irvine, CA

1982
"Group Show", Los Angeles City College, Los Angeles, CA

1981
"Group Show", Loyola Marymount University Art Gallery, Los Angeles, CA

1980
"Architectural Sculpture", Los Angeles Institute of Contemporary Art, Los Angeles, CA

1979
"Our Own Artists", Newport Harbor Art Museum, Newport Beach, CA

1978
"High Voltage", California State University Art Gallery, Northridge,. CA


PUBLIC PROJECTS AND COMMISSIONS

1998 "Albatross VII", Collection of the Edwin A Ulrich Museum of Art Wichita State University, Wichita, KS
1995 "Albatross V", Santa Barbara Airport, Santa Barbara, CA
1990 "The Sea Bee", Allendale Plaza, Coltsville, MA
1989 "Spindle", Cermak Plaza, Berwyn, IL
1988 "Yellow Pinto Pelt", Cermak Plaza, Berwyn, IL
"Green Pinto Pelt", Hamden Plaza, Hamden, CT
1987 "Saab Pelt", University of Connecticut at Avery Point, Groton, CT
"Triumph Pelt", San Jose Department of Motor Vehicles, San Jose, CA. Commission by the California Arts Council in Public Buildings Program
1985 "Spider Pelt:, Moscone Parking Garage, San Francisco Parking Authority, Commissioned through the San Francisco Arts Commission for the Collection of the City and County of San Francisco.
1982 "Pinned: Aircraft as Butterfly", American Hotel, Los Angeles, CA
1980 "Death of an Era", California State University, Dominguez Hills, CA.


PUBLISHED ARTICLES BY DUSTIN SHULER:

LEONARDO, Skinning Cars in the American West: Transforming Automobile Bodies into Relief Sculpture, Volume 17, Issue 4, 1985, Pergamon Press Ltd.
DREAM WORKS, Hunting the Dream, Volume 3, Number 4, 1983 - 1984, Human Sciences Press


SELECTED PUBLICATIONS AND REVIEWS:

The Inlander, Trashing Technology, by Sheri Boggs, November 11, 1998
Sculpture Magazine, Status of Sculpture, by Wendy Paris, September/October 1990
National Geographic World, Bitten by the Bug, December 1989
Automobile, Triumph Pelt, by David Fetherston, July 1988
Stern Magazin, Auto Journal, June 1, 1988
L.A. Reader, Dustin Shuler, by Marge Bulmer, March 18, 1988
Village Voice, It's a Jungle Out There, by Kim Levin, March 17, 1987
Insight Magazine, Auto Art, February 16, 1987, The Washington Times
"DerK'A'Fer III", Eine Dokumentation, by A. Etzold, 1986
 Harper' Magazine, L.A. Car Wash, April 1986
Vanity Fair, Art Throb, by Amy Hempel, November 1985
California Magazine, Art Is A Lonely Hunter, by Tould Bogdanos, November 1985
Artweek, The Dead Machines, by Suvan Geer, October 1985
Pittsurgh Post-Gazette, Auto Parts to Art, by Jerry Roberts, August 26, 1985
San Francisco Examiner, Art by Fiat, July 16, 1985
San Francisco Chronicle, Urban Hunter's Pelt, by Jack Viets, July 16, 1985
The Wall Street Journal, If This Artists Wants to Borrow Your Car, Tell Him to Get Lost, by Kathleen A. Hughes, May 23, 1985
Newlook, Beaux Arts, Des Sculptures Nommees Buick Ford Chevrolet Pontiac..., February 1985
Artweek, Our Automotive Culture, by Robert McDonald, December 1983
Images and Issues, Auto Pelt, 1963 VW by Dustin Shuler at the Laguna Beach Museum of Art, by Kathy Zimmerer-McKilvie, November/December 1983
National Geographic Magazine, Swing Low, Sweet Chariot, by Noel Grove, July 1983
Panorama, Non Mattetelo in Siaotto, November 1982
Artweek, Nailed to the Wall, by Joan Hugo, October 2, 1982
Los Angeles Times, The Art Tide Turns Downtown, by Suzanne Muchnic, September 14, 1982
London Times, Customized to Death, by Lloyd Grossman, april 18, 1982
Stern Magazin, Das Ende der Saurier, September 17, 1981
South Bay Magazine, Moving Pictures: Performance Art, by John Kehoe, September 1981
High Performance, Death of an Era, by Dustin Shuler, Summer 1981
People Magazine, In the Name of Art, A '59 Caddy is Turned into a "Pierced Arrow", by Carol Havens, November 17, 1980
Los Angeles Times, Sculpture, Exhibition of Documents, by William Wilson, October 12, 1980
Los Angeles Harold Examiner, A Pointed Comment of the American Dream, by Marie Denuzio, October 25, 1980
Orange County Illustrated Magazine, The Art of Destruction, by Tricia Nihill, April 1980
Artweek, Excess Vilified and Revered, by Louise Lewis, November 15. 1980
Artweek, Aesthetics of the Moment, by Constance Mallinson, June 5, 1979
Los Angeles Times, Artistic Get-Together in Orange County Exhibit, by William Wilson, November 4, 1979
Artweek, Of Destruction, Of War, Of Art, by Constance Mallinson, June 5, 1979